Disney is scared to think outside the box
Luna Infante, Staff Writer
• March 28, 2023
‘Glass Onion:’ An underwhelming sequel
Laynie Clark, Managing Editor
• February 21, 2023
Engagement in UTSA’s film and media program led by student urgency
Mason Hickok, Editor-in-Chief
• January 24, 2023
The daring life of a parody polka player
Malaki Lingg, Assistant Web Editor
• November 15, 2022
2022 Halloween horror releases
Malaki Lingg, Assistant Web and Social Editor
• October 25, 2022
‘Kanopy’
Mason Hickok, Editor-in-Chief
• September 26, 2022
Review: ‘Summer of Soul’
Mason Hickok, Web Editor
• February 15, 2022
You’re like a drug to me
Bella Nieto, Managing Editor
• February 8, 2022
On Kanopy: The presence of resilience in ‘Radio Kobanî’
Mason Hickok, Web Editor
• January 25, 2022
Unpacking Latinx misrepresentation in movies
Bella Nieto, Managing Editor
• January 18, 2022
Living as the observer in Mike Mills’ ‘C’mon C’mon’
Mason Hickok, Web Editor
• January 17, 2022
A conversation with Alex Ramirez
Mason Hickok, Web Editor
• November 9, 2021
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